I had a request for “MORE CHOPIN!” which made me realize that I’ve been neglecting the poor fellow — and he’s such a favorite of mine! I’ve been working on two new Chopin nocturnes, and I’ll hopefully be ready to record them soon. In the meantime, however, here’s one I’ve played for a long time, in a freshly remastered recording.
I like what I wrote about this piece when I posted this recording in its earlier, less acoustically pristine form, so I’ll say it again: It’s organic, and sounds almost improvised — except that it is impossibly perfect in every detail. Its soundscape is vast, deep, and richly pianistic, but look at the construction and you’ll see the spare elegance of Bach. It has a loving tenderness, and a longing, that’s unlike anything else, yet seems instantly familiar. And it’s gorgeous.
There’s nothing quite like learning to play a piece of music to really get inside it. With this one, like many I’ve shared here, I knew it was excellent music before I started learning it — but once I’m inside it, once I’m feeling through the piece with my own hands and working through its many parts with the microscope of learning, once I really start to “get it” about the music … it’s just staggering how good it is. It just floors me. I don’t know how much of that comes across in my playing — certainly I’m only communicating a small shadow of that experience — but I hope you can share my sense of wonder that we have this music in our world.